The Feeling Isn’t Gone is designed around tonal progression. Its surface is divided into vertical and horizontal bands, some stacked, some stretched, that move between navy, mustard, sky blue, sage, and chalk. Each block holds its own colour identity, but the overall composition reads as rhythm rather than repeat.
The structure is architectural, but not cold. Colours shift in a way that feels like remembering, one shade bleeding gently into the next, only to be cut by something more deliberate. The symmetry is loose, softened by variation in scale and hue. The rug’s construction keeps edges clean and weight balanced, with enough surface clarity to ground both minimal and layered interiors.
Flat-woven and low-pile, it’s finished with a short fringe at both ends. The scale of the blocks is maintained across sizes, keeping the visual language intact whether used in a small sitting room or a larger, more open space.
The palette was drawn from a collection of saved things, a swatch of vintage upholstery, a ceramic tile from a past flat, a scarf left behind. There’s nothing exact about it, but the feeling stayed.
Details
– Flat weave with short fringe at both ends
– Palette: Navy, sky, sage, ochre, chalk
– Made sustainably in the UK
– Designed in London
Part of The Lakehouse, a collection of sensorial objects for modern interiors that hold emotion as design value.
The Feeling Isn’t Gone is designed around tonal progression. Its surface is divided into vertical and horizontal bands, some stacked, some stretched, that move between navy, mustard, sky blue, sage, and chalk. Each block holds its own colour identity, but the overall composition reads as rhythm rather than repeat.
The structure is architectural, but not cold. Colours shift in a way that feels like remembering, one shade bleeding gently into the next, only to be cut by something more deliberate. The symmetry is loose, softened by variation in scale and hue. The rug’s construction keeps edges clean and weight balanced, with enough surface clarity to ground both minimal and layered interiors.
Flat-woven and low-pile, it’s finished with a short fringe at both ends. The scale of the blocks is maintained across sizes, keeping the visual language intact whether used in a small sitting room or a larger, more open space.
The palette was drawn from a collection of saved things, a swatch of vintage upholstery, a ceramic tile from a past flat, a scarf left behind. There’s nothing exact about it, but the feeling stayed.
Details
– Flat weave with short fringe at both ends
– Palette: Navy, sky, sage, ochre, chalk
– Made sustainably in the UK
– Designed in London
Part of The Lakehouse, a collection of sensorial objects for modern interiors that hold emotion as design value.
